A garden becomes a work of art when it goes beyond being a bare collection of plants and flowers and instead becomes a carefully designed and organise outer space that evokes emotion and lease the weed . Piet Oudolf , a famous garden couturier , believes that a garden is not just a stable landscape painting to be admire from a space , but rather a dynamical process that is constantly changing and evolving .
One of the fundamental element that make a garden a oeuvre of artwork is the thoughtful use of social organization . Oudolf understands the grandness of creating a fabric within the garden that provides a sense of order and coherency . This can be reach through the function of hedges , walls , paths , and other architectural elements . These structural element not only provide a horse sense of optic interestingness but also help to define and unionize the space .
Another important view of a garden as a body of work of artwork is the careful consideration of color . Oudolf is fuck for his skillful use of color combination , creating harmonious palettes that are pleasing to the eye . He understands the importance of selecting plants with dissimilar flower time , foliage color , and textures to produce a garden that has interest and mantrap throughout the season .
Texture is also a crucial element in Oudolf ’s gardens . He often integrate a variety of grasses and perennial with unlike leafage shapes and textures to append depth and visual interest . This creates a garden that feels animated and active , with plants that persuade in the idle words and entrance the lightness in different ways .
Oudolf ’s gardens also have a strong sense of place . He believes that a garden should be design to complement and enhance its surroundings , whether it be a rural landscape or an urban setting . By carefully take plants that are native or well - suited to the local climate and soil condition , Oudolf create gardens that feel like a natural extension phone of the palisade surroundings .
But perhaps what truly sets Oudolf ’s gardens apart is their power to evoke emotion . Oudolf believe that a garden should be a lieu that stirs the soul and elicit a response from the watcher . His gardens have a sense of abandon and artlessness , with works arranged in a way that feels constituent and spontaneous . They are not to a fault manicure or contain , but rather have a sense of freedom and movement .
What makes a garden a oeuvre of artistry , harmonise to Piet Oudolf , is the careful consideration of structure , colour , texture , and sense of post . But above all , it is the ability of a garden to evoke emotion and engage the viewer that truly make it a chef-d’oeuvre . A garden is not just a unchanging space , but a keep , breathing work of artistic creation that evolves and changes over metre .
Caroline Bates